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Biography; year=2019; Benedict Andrews; rating=884 votes; ; Country=UK. | Monica Castillo December 13, 2019 Like many an actress before her, Jean Seberg headed to Hollywood with dreams of stardom, but once the talent contest winner of Marshalltown, Iowa, arrived in Tinseltown, it was anything but a dream. An accident on the set of her first movie scarred her. At first, success eluded her. Eventually, she headed to France to star in Jean-Luc Godard's “Breathless, ” which would become one of the break-out films of the French New Wave. Finally, Seberg had made a name for herself, yet less than two decades after her 1960 international hit, she would be found dead in her car with suicide the probable culprit. Advertisement Seberg’s tragically brief story has been a source of curiosity since her death, especially after her second husband accused the FBI of playing a part in her demise. It’s that FBI connection that most interests Benedict Andrews ’ new biopic, “Seberg. ” However well-intentioned the effort to unearth Seberg’s legacy and open this shameful chapter in American history, the movie’s simplistic approach doesn’t quite do her memory justice. With a miscast lead actress and an underwritten script, Seberg feels as mysterious and distant as ever. Although Kristen Stewart pulls off Seberg’s short haircut, she hardly embodies any of the presence or persona of the French New Wave “ It ” girl. Stewart’s monotonous delivery makes her character sound uninterested and bored, even though the movie wants to show how the actress grew into an activist—posing for pictures with members of the Black Panthers and funding their education initiatives—that would land her in the FBI’s crosshairs. Perhaps Andrews didn’t give her sharper directions or writers Joe Shrapnel and Anna Waterhouse ’s clunky dialogue wouldn’t give her more to work with. In any case, the movie feels like it’s in search of its own pulse. The script shortchanges Seberg in much the same way her contemporaries did. This was a young woman who was already donating to civil rights causes as a teenager yet the script includes a scene of the actress whining to her industry-minded manager that she wants to do something more meaningful with her life than just acting. She wasn’t someone in search of a purpose, but that’s how the script makes her sound. In another misstep, the script also included a conflicted FBI agent named Jack ( Jack O'Connell) who seems highly contrived in order to give someone an arc in this story. He’s made a sympathetic character who regrets following his bosses’ (including J. Edgar Hoover) orders to wiretap, follow and spread false stories about Seberg to the press. It’s a weird decision by the filmmakers of Seberg’s story to try to exonerate the FBI who legally harassed a citizen to the point of paranoia. But not everything about "Seberg" is in such dire shape. Rachel Morrison ’s cinematography is by far one of the best things about it, as it has a clear range and showcases her ability to tell a story through its visual elements. At the beginning of “Seberg, ” the movie has more of a pastel sheen, a reflection of the era and the unclouded nature of her story. As the FBI begins to get involved, more scenes take place at night, making everything around Seberg seem darker and more ominous. A few members of the supporting cast stand out like Anthony Mackie as Hakim Jamal, a charismatic and charming activist who Seberg begins an affair with, and Vince Vaughan as a cruel, uncaring FBI agent who sees nothing wrong with his organization’s orders to stalk and mess with Seberg. I wish I could say Margaret Qualley and Zazie Beetz were also given interesting roles, but unfortunately, they play wives whose primary function in the script is to be jealous of their husbands’ attention on Seberg. The movie tries to position Seberg as an inspirational figure, a sainted martyr who tried to stand up against her country’s many wrongs and faced extreme retaliation for it. It’s not subtle about this comparison either, as it even includes a recreated scene of Seberg playing Joan of Arc in her first film where she was burned in an on-set accident. Yet, if our sympathies are supposed to belong to Seberg, why divest some of it into a “ My Week with Marilyn ”-type outsider gawking at the actress? Why tell the FBI’s side of the story at all? “Seberg” joins a new subgenre of biopics like “My Week with Marilyn” or the more recent “ Judy ” which paints these fascinating actresses as victims of their own story, doomed to meet some sort of fame-induced end. This framing, while it may work for some, is tiresome from its predictability. While I’m glad more people will now hear about what happened to Seberg because of Stewart’s involvement and this movie, there’s certainly a better version of this story that has yet to be told. Reveal Comments comments powered by.

John Abraham in comedy movie don't his comedy skill is very low.

No, just no. Im so watching this bc of Anna K. You just know that shes going to be awesome.

 

P robably no movie actress suffered more from a combination of misogynist Hollywood politics and reactionary Washington politics than Jean Seberg. The star of Jean-Luc Godard’s Breathless suffered years of harassment and surveillance from the FBI for supporting the Black Panthers in the late 1960s, all of which contributed to her depression and was a factor in Seberg taking her own life in 1979. The tragic drama of Seberg’s life should make her a great biopic subject, particularly its amazingly symbolic early episode in which, playing Joan of Arc for Otto Preminger in 1957, she underwent a terrifying near martyrdom tied to the stake when the arrogant and reckless director allowed real flames to get too close to her. And yet the disparate episodes of her life are tricky to encompass dramatically, and a 1983 stage musical, Jean Seberg, for London’s National Theatre with music by Marvin Hamlisch, was a notorious flop. Now there is this flawed account from screenwriters Joe Shrapnel and Anna Waterhouse and directed by Benedict Andrews. The movie features a heartfelt and utterly committed performance from Kristen Stewart, who is as plausible in the role of Seberg as anyone could be, and the drama homes in on that period in her life when she supported the Black Panthers and had a relationship with activist Hakim Jamal (Anthony Mackie). But this film also finds it necessary, in the apparent interests of liberal balance, to invent a fictional young FBI officer Jack Solomon ( Jack O’Connell) who is decent, sensitive, appalled at what his organisation is doing to Seberg and makes a muddled attempt to warn her. But why? Why invent this character at all? Why make the travails of this made-up man dramatically equivalent to Seberg’s very real ordeal? It is a strange contrivance and the film never quite rings true. • Seberg is released in the UK on 10 January and in Australia on 30 January.

Yet another all mighty flop by Kirsten Stewart, she was completely wrong for the part and spends the entire film making stupid faces and putting in a one dimensional performance... how many times is Hollywood going to cast her in a film way beyond her ability, even Charlie's angels was utter rubbish and that's about her level. Get a proper actress for a film like this... Prayer against all enemies. Against all enemies trailer deutsch. Jean seberg - against all enemies.

Against all enemies havasu. LAST CHANCE! Thu, Mar 12 Seberg Seberg is inspired by true events about the French New Wave darling and Breathless star, Jean Seberg (Kristen Stewart), who in the late 1960s was targeted by the FBI because of her support of the civil rights movement and romantic involvement with Hakim Jamal (Anthony Mackie), among others. In Benedict Andrews’ noir-ish thriller, Seberg’s life and career are destroyed by Hoover’s overreaching surveillance and harassment in an effort to suppress and discredit Seberg’s activism. R Genre Bio-pic, Drama, Thriller, Women and Film, Films & Filmmakers, Politics & World Affairs Writer(s) Joe Shrapnel, Anna Waterhouse Cast Kristen Stewart, Jack O'Connell, Margaret Qualley, Zazie Beetz, Anthony Mackie, Vince Vaughn FEATURED REVIEW Anthony Lane, New Yorker Stewart’s voice is lower than Seberg’s, her smile more hesitant, her chin more determined, and the gleam in her eyes a touch more dulled with knowingness, as if the innocence to which Seberg somehow clung were no longer available; Stewart, though, is not in the business of impersonation. Her task,...

 

I'll definitely watch it.

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📽Audience REACTIONS at its North American PREMIERE:
😄😄(2 laughs)
😢(1 possible cry)
🤓(learn about true events)
Seberg (Benedict Andrews) is an affair drama which is an interpretation of a real story. Combining the lead character's professional and personal roles, it explores her personal and relational lives.
Kristen Stewart gives a slightly contrite performance and she seems to have been once again typecast. Thankfully, the supporting cast are there with good performances to make up for the lack of personal connection with the main character. Unfortunately the excellent costume design is not enough to carry the film and will likely be overlooked.
Speaking after a screening at TIFF, the director explained the film is really a story of voyeurism; the addiction and danger of the watcher and watched. Even so, the excitement of surveillance is lost on an emotional contrived performance.
#filmreactiviews.

Synopsis Seberg is a political thriller inspired by real events about the French New Wave darling and Breathless star Jean Seberg (played in the film by Kristen Stewart). The film focuses on Seberg in the late 1960s when she was targeted by Hoover’s FBI, because of her political and romantic involvement with civil rights activist Hakim Jamal (Anthony Mackie). Seberg, directed by Benedict Andrews, with a screenplay by Anna Waterhouse and Joe Shrapnel, also stars Jack O’Connell, Margaret Qualley, Zazie Beetz, Yvan Attal, Colm Meaney, and Vince Vaughn.

Je préfère le titre français à bout de souffle' beaucoup plus esthétique que breathless qui me fait penser à une marque de chewing-gum! Et c est drôle de voir les passants regarder ce qu il se passe, sans se douter qu ils allaient apparaître dans un film culte.

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Looks really cool, but, kinda misses the James Bond vibe

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  1. Columnist: Kristen Stewart London
  2. Info: ‘One more time with feeling’ - Kristen Stewart

 

 

 

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